Dresden Codak is fueled by the power of Science
Not long ago I reviewed Minus, which remains a phenomenal strip.
Some of the discussion arising from that brought to light that Koala Wallop, the collection that Minus was a part of, did not recieve nearly as much attention as it rightfully should. Intrigued, I poked around the other strips on the site, and lo and behold, found myself quite taken with them.
The one that most caught my eye – in much the same vein as had Minus itself – was Dresden Codak.
Dresden Codak is, similarly, a hard comic to describe. Both philosophical and fantastical, each strip is generally a self-contained clever adventure following the principles of wit and whimsy. A Lesson Is Learned But The Damage Is Irreversible is mentioned as an inspiration, and the influence is clear. A Lesson Is Learned may be in absentia these days, but it’s legacy lives on in Dresden Codak and many others who follow in it’s footsteps.
You know, I like this genre of comics. I like it a lot. There seems to be more and more quality comics emerging that deal in the absurdly profound, in surreal humor, in both intellectualism and childhood innocence, and their presence is a damn good thing.
Dresden Codak only cements my feelings on the subject. The material is both beautiful to behold, enjoyable to read, and intensely thought-provoking. I like my gag strips, sure, and I love my comics that tell a deep and emotionally powerful story… but the ones that leave me thinking really are gems found few and far between, and all the more important for their rarity.
The greatest strength of Aaron Diaz (the genius behind Dresden Codak) may be the ability to tell a powerful story in a single moment. It is in this that I see the strongest influence of A Lesson Is Learned, and Dresden Codak may be the only comic able to pull of the simple story just as well. A single strip can contain laughter, philosophy, and a heart-wrenching story.
And as with A Lesson Is Learned, the art plays as strong a part as the story. The scenes come to life with brilliant colors and gorgeous images. Each page is a full dose of webcomic goodness.
The only downside? The archive is small, and updates seem to be on a monthly basis. Each update is a world of awesome, but they are few and far between.
Still – there are worse things than to have the quality of a comic leave you desperate for more. Dresden Codak is another font of genius, and all the more proof that Koala Wallop has something special going for it.
Not Actually a Post About NaNoWriMo, No Really, I Mean It
Last night I met up with a number of other local NaNoWriMo writers to celebrate our success. We discussed all manners of things, but unsurprisingly, the topic of writing came up an inordinate numbers of times.
One of the other writers there started explaining some principles of mad science that she had begun applying to her villains in her writing. Infection. Obsession. Challenge. Chase Scene. Denouement.
It truly is a wonderful world we live in.
The obvious inspiration for this philosophy, A Miracle of Science, continues to excel.
We have entered what may be the final showdown between the good guys and the bad, and our hero Benjamin is doing his best to stop the enemy with the most powerful weapon at his disposal – the power of memetics.
It’s a good comic, and it’s a good time to be reading it.
Thoughts on NaNoWriMo: Mark 2
This evening NaNoWriMo 2006 draws to a close, and I get to enjoy the feeling of a job well done.
This year I managed to actually go the distance, and yes, that is a damn good feeling.
I only wrote the first third of the novel I set out to write – however, I think it ended up more coherant than it would have otherwise, so that’s a plus. And, of course, it leaves me with material to continue with if I undertake this madness next year.
In the end, it sucked up a bunch of time I likely would have otherwise spent playing video-games. It let me test my limits, and let me actually prove that I can sit down and write something extensive. One of my old writing teachers told me that every person in the world has stories in their head they could tell, but you only are a writer if you sit down and write them.
That doesn’t make you a good writer, mind you. That’s the next step.
But the first step is writing, and this is the first time I’ve produced a clearly finished work of significant length. It isn’t as long as a standard novel, it isn’t a masterpiece, and I quake in fear at actually showing it off to my friends and family who demand a chance to read it. The narrative voice is constantly shifting, I’m not entirely positive I maintained the same tense throughout the work, and the most interesting character is an ordinary housecat. The dialogue is poor, the plot resorts to exposition, and the proofreading was nonexistant.
…but it is complete, and it is mine, and I can be damn proud of that.
And that’s what the month is all about.
Comics I Read on My Lunch Break
There has been a good deal of hubbub this week concerning the new PvP animations, and discussion regarding that is scattered… well, all over the web.
But the news that I heard that really got me excited was that Crap I Drew on My Lunch Break is back!
Rest assured, the comic is far from crap. It’s a fun little strip with gorgeous art – it doesn’t hold itself to be more than that, and that’s what makes it great.
The strips are sometimes just simple randomness from life, sometimes rants on the trivial, sometimes rants on the profoundly horrible. It’s about the artist, her boyfriend, and their pet rats.
And really, that’s all it needs to be. Sometimes the simple things are best.
So Much Writing. So Little Time.
Today Queen of Wands attained the honor of having successfully completed it’s second full run, this time with full commentary from Aeire.
Part of the final comic is in absentia, (though can still be found in the archives), and the last sequence remains just as bittersweet as it was the first time around.
When Queen of Wands first ended, over a year and a half ago, it was an unusual decision to air the old strips once more – but I think it was clearly a successful one. The commentary was… nice, though I think it is to the comic’s credit that it can easily stand alone without the explanations being needed.
I recall, in the distant days of yore, reading Xenith. Xenith was Aiere’s first comic. It was… good, yes, in it’s own way. Incredibly pretty. Incredibly dark. And yes, you could very much feel the youthfulness of the work.
I remember discovering Queen of Wands, early in the strip’s infancy, quite some time after Xenith had stopped updating and/or vanished from my mind. I remember, after falling in love with the strip, at some point noticing it was produced by the same author. And I remember being amazed.
There was a world of difference between the two strips. It wasn’t just that Queen of Wands was light and funny and true to life where Xenith had been dark and depressing and fantastical – her new comic showed her maturity, as an artist, as a storyteller, as a person. And yes, it may seem a bit much to judge a person by the comic that they draw – but it seemed clear that the person telling the story of Kestrel and friends was a far cry from the person behind the story of Xenith.
And Queen of Wands was clearly a success. It was a comic with characters that many people formed attachments to – no doubt Aeire most of all – and she still managed to bring it to it’s proper ending. Well… a proper ending, if nothing else, and I think that was half the story behind the strip.
These days, Kestrel lives on through the magic of r*k*milholland. As for what may be next in line for Aiere herself?
I’ve heard word of a sequel arising sometime early next year. That could be cool. It’s certain I’ll be keeping my eyes and ears open, given my usual propensity to completely fail to notice important announcements. If something nifty develops, there will be no complaints here.
And if not?
Well, we’ve always got the Queen of Wands archives. They were just as good a second time around, and I’m sure they’ll be just as sweet every time thereafter.
A pirate, a flying monkey, and a mad hatter walk into a bar…
Public Service Announcement:
Issue 2 of Cheshire Crossing is now available.
And yes, it rocks out just as much as the first one.
Enjoy.
The usual
Ok, I am aware that I talk about Sluggy Freelance all the damn time. My bad. Apologies in advance. Etc.
But I felt that today could not go by without commenting on today’s strip. While Oasis has continued to develop as a character, her mystery still remains in full force, with more unanswered questions around every bend. Which isn’t a bad thing – having her resolve any core complexities while isolated from the main cast would have, at best, been a bittersweet success.
More importantly, though, we have the survival of our latest favorite bad guy, “Nash Straw.” I had been fairly certain Pete wasn’t going to kill him off, given the instant hit success he was – but I admit to having been left with my share of doubts after the latest scuffle.
In any case, my final verdict on the latest Sluggy storyline: A+! Oceans Unmoving definitely left a lot of people anxious about the state of the strip, and Sluggy started rather slowly building back up since then, but I’d say the old magic is back and in action.
Now, a lot will still depend on how things pan out once the camera is focused once more on the standard cast and crew… but Pete has done a lot to restore my faith in the strip. I’m grateful for that.
Anyway! I hope yesterday everyone had a merry Thanksgiving, or for those for whom it is irrelevant, a fantastic thursday!
Today we rant about videogames.
By we, I mean I.
By videogames, I mean Neverwinter Nights 2.
I’ve just finished playing this game – a good thing, since it was the biggest hurdle in my completion of NaNoWriMo.
The game itself is quite enjoyable, by and large. Fun and engaging characters, an entertaining if unoriginal story (with a few genuinely impressive moments), and all the standard leveling and equipment joy that placates hardcore d&d players.
The problem, unfortunately, is that the game is unfinished.
It is fiddled with more bugs and glitches than I care to go into – including several ones very key to the game itself, such as the AI controlling your character’s companions, the camera views through which you observe the game, and various pieces of the combat system that drives encounters.
But I was able to accept that. Perhaps it is a bad thing that I expect games to have their share of quirks, and look upon something buggy as the norm, and something that works properly to be a grand success.
What struck me to the core was the ending. Now, I won’t get into any details as to the final plot itself. But the ending, and indeed much of the scenes leading up the end, were tagged on almost as an afterthought. The designers ran out of time or money, and suddenly had to wrap it up and push it out the door.
We’re talking about a game that drops into cut-scenes every time you turn a corner, and has exciting and skilled voice actors for bums you run into on the street for five minutes.
The ending of the game consists of a series of still images (that may not even be entirely accurate), and a voice-over by what appears to be Bob the Pizza Guy.
I kid you not. The entire game is filled with an exceptional soundtrack, and the ending of the game is a slideshow narrated in a dead monotone.
Ok, I’ve had my rant. The reason for the game’s flaws is easily found – the company needed the game out the door, and had to ship it a few months before it could actually be developed into a quality game. Disappointing, but I’ll live – even if I did feel the need to spend some time venting on it.
Now, I thought about quite a few ways to compare my complaints here with the wonderful world of webcomics.
It would not be a difficult comparison to make. I could say that webcomics, after all, usually fall on a specific schedule, and the demands to meet deadlines (even self-imposed ones) has left many artists pondering what to do. Put up an unfinished work, and color it later? Put up filler for now, and the final product when it is ready? Just skip the deadline?
It is a tough choice, and one that invariably will end with someone unhappy, and one side of the crowd yelling at those who get upset about delays in free comics, and the other side demanding more professionalism from those who want to make a living from their work. It’s a debate that makes me twitch, because I’m usually able to see valid points in both sides.
As such, I will kindly refrain from making the comparison between my video game woes and the webcomic industry. Instead, like everyone else on the face of earth, I shall succub to peer pressure and link to the new face of WIGU.
I like the name, even if I don’t understand it
A month ago (to this day) I recieved my first request to take a look at a specific comic, so now seems a proper time to do a review of it.
The comic in question is called the Flowfield Unity; the man behind the comic is one Adam York Gregory, an impressive name in it’s own right.
It began, as I understand it, as a print comic that is now being posted to the web. Much like others who have done the same, as well as the countless ones that have done the opposite, it shows that it is quite feasible for a comic to work equally well in either medium.
As for the comic itself, it definitely has potential.
Potential is a funny word. While technically complimentary at its core, it comes across much harsher. After all, saying that something might eventually be good is simply a roundabout way of saying it isn’t good right now, yes?
So I don’t want anyone to get the wrong idea – I definitely like the Flowfield Unity. It has been a little hit or miss to my tastes, with some strips going over my head and others just falling flat. One of the most visually exciting ones left me indifferent as to the actual content.
But for each one of those, there would be another one that I found exceptionally clever and insightful and amusing.
The larger portion of the strips, though, the largest feeling I felt… was potential.
It comes down to rhythm in a lot of ways. The strips from the very beginning involve exceptionally cool concepts, but they don’t quite convey them with the same beat, the same punch as does xkcd or the Perry Bible Fellowship.
They are well-crafted, there is no denying it. When I look at the first strips, I get the sense of nothing so much as visual poetry, illustrated haikus. That is hardly anything to laugh at – and therein lies the problem.
The strip revolves around the premise of turning ideas on their head, and presenting concepts broken ever so slightly askew. But the cleverness of such things will only take you so far, and without the humor found in those oddities, it will be hard to truly leave an impact on the reader.
Of course, there is only some twenty-odd strips in the archive at present date. The beat of the strip may very well change, and start fully delivering on the possibilities it touches upon. May already have done so, in fact, given he is drawing from an already published resource that consists of a much larger body of work.
For right now, though, it remains worth reading. Sometimes it won’t do much for me, and sometimes it will deliver something that genuinely leaves me smiling.
Right now it is a comic with potential, and that is nothing to be ashamed of.
A Second Look through the Scrying Ball
Last week I mentioned Dominic Deegan, and spoke about how pleased I was with what was going on.
Or, more specifically, how pleased I was about how well Mookie was avoiding falling into old potential pitfalls, and making use of a new plot focusing on many of the side characters.
It strikes me, however, that I wasn’t so much talking about the things he was doing right as I was talking about the things he wasn’t doing wrong.
And while it is all well and good to avoid making blunders, not screwing up alone won’t make a comic inherently good.
So what is it about Dominic Deegan that has, for the last few weeks, been constantly rocking my socks off?
Concerning the overall plot, he’s certainly been doing strong.
He’s added an new villain who isn’t an infernomancer, or an arch-devil, or an ancient reincarnation of an powerfully evil wizard.
He has our band of heroes up against someone who, in the end, is just a petty thug.
Of course, more than that, he’s a petty thug trying to hit the big leagues of organized crime. And he is smart, and it isn’t just a matter of going toe to toe with brute force, but having them actively do their best to outthink each other. That’s not just a nice change of pace – that’s a genuinely interesting new character and a great set-up.
In the realm of humor I have no real complaints. I’ve never been big on the puns laden throughout DD, but I’ve been finding even them charming throughout this storyline. (Well ok, that might not accurately describe today’s all that well.) But in general he’s managed to mix things up just right, with the jokes laden throughout the story naturally rather than having them actively bog it down.
Output of content, of course, has always been a strong point – 8 panel strips every day of the week? Full color sundays? You are going to be damn hard pressed to find a match for that.
But what has really been doing it for me, in the end, is the crafting within each individual strip. Throughout this storyarc there have simply been a slew of great individual moments.
Moments that are either picture perfect segments of humor, or ones that nail a character perfectly dead-on.
That’s the impressive part. We’ve got this large-scale production of content, and yet we have these moments being perfectly executed in every single strip. That takes more than just dedication – that takes damn solid skill.
And that’s what Dominic Deegan is doing right.
Damn Good Comics 