I’d been waiting for the return, but it somehow slipped passed my radar, so I figured I would toss this out here for any others looking for the news.
The new strips seem to be good stuff, and the comic is well worth checking out even for those who weren’t already a fan.
There are times when I really am in the mood for a nice solid adventure story, and Indavo fits the bill perfectly.
Normally the story revolves around the adventures of Indavo and Rachael – space adventurers, freelance explorers, extreme heroes, and romantic leads.
The stories are, in general, good solid fun – fighting space pirates, robot armies, and so forth. The majority of the time the heroes are in the midst of some chaos or another, and usually manage to come out of the worst situations with hides intact.
But currently, in the aftermath of a pretty intense storyline, we know find ourselves in the presence of a character about which little is known – the Time Traveler in the Big Hat.
Yes, that’s what he’s called.
He seems to be a figure of immense power and knowledge who hops into dangerous situations and manipulates the outcomes to suit his own, mysterious purposes.
Only… he seems to have screwed up, and is apparently stranded on a flaming hell-planet, and most decidedly not in control of the situation.
I didn’t have the slightest expectation of a storyline involving this guy, but this is looking to be fantastic, and maybe enlightening on some of the mysteries surrounding him.
I also love the image above – the artwork of Indavo is pretty perfect for the series, as it has a lively, slightly cartoony feel to it, that nonetheless can yield some pretty dramatic moments. The robots that are fairly prevalent throughout bear an uncanny resemblance to transformers, but thats been the only real hiccup for me, and is probably more due to having grown accustomed to more modern ‘sleek’ robot designs. In the end, nothing is necessarily wrong with the old-school designs here.
In any case, here’s hoping for more fun with fiery death and time traveler excitement!
There are very few comics about libraries and librarians.
Unshelved has found its niche, and rules it well.
For me, the comic works well because of nostalgia – I remember my days working as a page in a public library, and Unshelved captures a lot of the little truths about such a place.
Even though I haven’t worked at such a job in over 5 years, I am still currently an avid reader. My reading has changed – it is much harder to enjoy the pulp fantasy books I used to love, but every once in a while I discover something amazing, and they capture perfectly exactly what that experience entails.
So Unshelved works well for me, because I can relate.
I’ve been there, I still am there in many ways, and I can recognize it all as true.
The comic has a lot more going for it than that, of course. There is plenty of clever gaming jokes and dorky references, along with more ordinary humor, from the surreal to the slapstick. It has solid storylines, a nice cast, and even the occasional romantic tension. I’d wager a lot of folks out there could easily enjoy it without needing any background in library logic.
And for those of us who enjoy the world of books? There are a lot of nice touches that strike very close to home, and thats a good thing.
It took a little while to get into it, but I began to really dig it, mainly when I realized that my favorite character was actually Hastings, the uptight, fun-hating, work-minded asshole.
He’s an unmitigated jerk, as shown time and time again by his interaction with his family, his co-workers, and…. well, I guess he doesn’t really have any friends.
But he is a fun character to see in action. He shows his emotions intensely, and Paul Southworth does some great stuff with his expressions. Especially the eyes. The shiny, glistening eyes.
There are a lot of things that can persuade one to purchase a book. The author, the content, the art. Convenience, availability, price.
But here’s one person who was won over on this sale, in large part by name alone. By the fact that someone was able to condense in four simple words such a primal element of the strip.
Now that’s pretty awesome.
The figure you see to your left is Dr. McNinja.
He is, as you may surmise, a doctor. He is also, as the observant among you might be able to discern, a ninja.
It is not until you learn of his secret backstory that one might discover that he is also irish.
In any case, it is my profound duty to bring The Adventures of Dr. McNinja to the attention of all passerby. To read this yarn of hope and sacrifice is to internalize a great truth unto oneself:
Namely, that ninjas. are totally. awesome.
8-Bit Theatre, by Brian Clevinger, is regarded as one of the most successful sprite based webcomics on the net.
Like many sprite comics, the characters are ‘borrowed’ from a video game – the original Final Fantasy game for the nintendo, to be specific. The story from the game is retold with much more laughs, chaos, hijinks, and so forth. Various characters are given distinct personalities – red mage is the rules lawyer; thief is, well, a thief; fighter is really dumb; black mage is pure evil.
By and large it is pretty good, even if sometimes the humor is often the same joke about those personality traits.
The main problem, though, is the art.
Now, being a sprite comic – being, in fact, an ‘8-Bit’ comic, means the art has obvious limitations. And sometimes Clevinger transcends those limitations and does impressive stuff with the art.
Unfortunately, sometimes he… doesn’t. And the art makes it really hard to tell whats going on.
Recently the characters ‘powered up’ and got all new outfits, most of which look bad-ass.
Unfortunately, Black Mage got an outfit that makes him look like a clown. Or something. I can’t really tell what the outfit is supposed to be, other than making it look like he is running around without any pants. No pants! That is simply disturbing.
Making use of a limited medium doesn’t mean the art has to be weak or confusing. Order of the Stick, as I mentioned before, does amazing things despite being a ‘stick figure’ comic. A Modest Destiny (sadly no longer viewable directly on the site), was a very good sprite comic when one looked past all the drama that surrounded it. Good clean art. Distinct characters, backgrounds, layout.
8-Bit Theatre is a good webcomic. It will continue to remain popular. Story can surpass art.
But please, in the name of all that is good in this world, give black mage his pants back!
Now, this storyline has met with a lot of contention. Some have liked it, while many others have found it dissatisfying.
Part of the concerns that people had were that it came just after That Which Redeems, which was regarded as a fantastic success, and one that renewed people’s faith in the Sluggyverse. It concluded with many questions still unresolved, and many people eager to see the changes that the events had left on Torg.
And then… Oceans Unmoving. The normal cast of Sluggy was left behind for a wild jaunt through ‘Timeless Space,’ and an epic journey featuring all manner of new and innovative characters, stories, technology, and so forth.
And people were upset.
It has been said before – Oceans Unmoving would have been a great story as its own comic. It will do much better once it is complete and in the archives, and people can read through it in one fell swoop.
But it was too much to take in. It was filled with exposition and explanations. It had only one character that we knew – Bun-bun, who many fans didn’t feel especially attached to anyway. It gave us several new characters and new romantic tension – but it was hard to get attached when all most people really wanted was to get back to the old crew.
It wasn’t that people wanted the Old Sluggy days back, of nothing but silly jokes and goofy adventures – they wanted to get back to the characters they were already attached to, and see some resolution to the countless stories building up (Aylee, Oasis, the evolution of Torg). They didn’t want to see a new storyline interrupt that – especially one that just went on, and on, and on.
Oceans Unmoving, indeed.
Over a year later, Oceans Unmoving is wrapping up.
In all honesty, I am really digging the ending. I’ve liked some of the final twists behind the scenes, even if a few seemed excessive. After a year of reading the tale, I’ve become attached enough to Kada and Calix to care about their fate. And… even the greys, too, to an extent. (Still hate Caribs, though.)
I don’t really want to see much more of them, mind you. But I am eager to see the last hurrah of all this – the climax and conclusion.
And from the pace of things, it won’t be long before its all wrapped up, and it looks like it is wrapping up well.
Which brings us to the true test – where Sluggy goes from here.
I wouldn’t say Oceans Unmoving has been fully redeemed by this, but I’ve certainly gotten brought back in to the tale, and will be ready to walk into whatever new is coming without being held back by total frustration over the last year of the comic.
For the first time in a long while, I’m looking forward to Sluggy everyday, rather than dreading it.
So that’s a sign that Abrams is certainly doing something right.
How long until there is an entire genre of comics that consist of ‘political satire comic with pink-haired girl protaganist’?
I read both Sore Thumbs and Winger, despite the fact that they sometimes go a bit too far on their political tirades for my own personal taste. They both have a lot going for them outside of their political teasings, and both deliver good humor and art.
I’m not entirely positive as to exactly which direction he’s trying to take – whether he is trying to be a drama making fun of its own lightheartedness, or trying to be a funny strip making fun of its attempts to add psycho-drama, or just making fun of the whole shebang.
Regardless, I’m liking it, and it does a good job of making both perspectives work.
Oh, and I’ll admit it – the “Cheney Shot First” shirt made me laugh. Yes, in fact, “out loud,” as the kids say.